Jenny Marketou

Silence - PERFORMANCE

2011-07-25T11:13:00.000-07:00

@ABOUT: Athens,Greece

Performance by Jenny Marketou.

Silence Project - WORKSHOP

2011-07-25T11:08:00.000-07:00

Date: Wednesday,May 18 - Friday ,May 27. 2011

Workshop: Delphoi/Athens School of Fine Arts Annex

Participants:
MILENA PRINCIPLE // Athens School of Fine Arts // Yiannis Melanitis // Rhea Thönges-Stringari // Jenny Marketou // George Byron Davos // Enrique Tomas // Geert Vermeire // Stefaan van Biesen

The project Silence is organized with the participation of several artistic labs (over 20 students ) from the Athens School of Fine Arts, organized by Yiannis Melanitis and is the first collaboration of the creative team MILENA PRINCIPLE artist Jenny Marketou and the Athens School of Fine Arts. The workshop will start its activities from Delphi (18-21 May) and will proceed to include actions at ABOUT: and the Goethe Institute (23-27 May). The activities of SILENCE include performances, installations, actions with sound and discussions involving Rhea Stringari, Jenny Marketou, G. Davos etc. Silence will be realized as a process of «constant flux» in the presentation and formulation of projects and activities, focusing our attention on the dialectics of Silence and the concepts derived from this manipulation.

Images from the Red Eyed Sky Walkers: Silver Series

2011-07-01T07:10:00.001-07:00

Images from Gateways: Art and Networked Culture exhibition, Tallinn, Estonia
May 12 to September 25, 2011

Red Eyed Sky Walkers: Silver Series

2011-06-30T10:14:00.001-07:00

Red Eyed Sky Walkers: Silver Series

Networked environment

Gateways: Art and Networked Culture exhibition
May 12 to September 25, 2011

Watch the trailer on Vimeo.

The work of Jenny Marketou Red Eyed Sky Walkers: Silver Series 2011 is a networked environment created on site and set in the courtyard in front of the Kumu Art Museum in Tallinn, Estonia. The environment which according to the artist touches upon the vital role of the viewer in directly incorporated in the process of the development of her work consists of the fluid, shifting and ephemeral ecology of 49 Silver Mylar reflective meteorological balloons which are attached on the ground by several yards of transparent plastic tethers. As guests at the museum are sitting under the shelter of the balloons they can hear the mesmerizing patterns of the wind as it blows through the Mylar surface when the balloon touches each other creating a real condition for a sharing experience and rest.

But aside from the silver balloons the environment features nine wireless network video cameras, which are attached under some of the balloons. The nine cameras survey all the aerial activity between visitors and the environment and aided by the Internet they transmit live streaming video to the gallery space, which is located on the 5th floor of the museum. There through a software specially designed for this project enables the artist to seek audiovisual material and other data from global networks of social media like wikileaks, youtube, tweet, flicker arranged in thematic archives which range from images of our self, video reportage, images which convey enforced and repeated rules and codes in the control of crowds, in political and economic upheavals, in administrative apparatuses and military technology, and this heterogeneous and fluid context of images is simultaneously reassembled, manipulated with the streaming video from the cameras and displayed as a single video projection divided into nine channels.

In the spirit of transparency the artist like a contemporary documentarian wants to make us look through the collective gaze of the culture of reality TV, embedded journalism and you tube the uncertain state of images and other universal networks created out of audio, visual and electronic communication which have been normalized and to ask us to critically question the profoundly ambivalent about rhetorics of truth and strategies of authenticity in those images.

Jaron Lanier in his text, You Are Not A Gadget, calls for a more humanist approach to
the way we participate in network culture. Red Eyed Sky Walkers: Silver Series speak
to this desire and reveals the human in the networked interface.

Red Eyed Sky Walkers: Silver Series at Kumu Art Museum, Tallinn, Estonia (European Capital of Culture, 20011) has been commissioned by Kumu Art Museum and sponsored by Goethe Institute for Gateways: Art and Networked Culture exhibition curated by Sabine Himmelsbach from May 12 through September 25, 2011.

A catalogue accompanying the exhibition is published edited by Sabine Himmelsbach

http://blog.goethe.de/gateways/index.php?user_language=en

http://www.crumbweb.org/

http://www.goethe.de/ins/ee/tal/etindex.htm?wt_sc=tallinn

http://www.ekm.ee/kumu.php

Markers / MAPPING / 2011

2011-06-30T08:20:00.000-07:00

Mapping during the 54th Venice Biennale

ArtLife for the World Gallery
Cannaregio 6021 Venezia 30121 (Rialto Bridge)
Venice, Italy

Wednesday, June 1 at 1:30am - July 30 at 4:30am

Curators Doron Polak and Amir Cohen

MARKERS 8 - Mapping - Group Exhibition | Contemporary Art.
Artists: Sol LeWitt, Dani Karavan, Dennis Oppenheim, Nancy Spero, Jack Sal, Yechiel Shemi, Caterina Davinio, Joshua Neustein, Yaakov Hefetz, Margalit Mannor ,Jenny Marketou and others.

Jenny Marketou - presentation at the Silence project

2011-06-30T08:08:00.000-07:00

"Silence" project - A series of workshops, discussions, and exhibition

Organized by the School of Fine Arts, Athens Greece
Sponsored by Goethe Institute and About Art Space
Curated by Yiannis Melanitis

Delphi, Greece

May 23rd to 27th, 2011

You can hear the noise of one tree falling but cannot hear the silence of the forest growing.

Levels of Disturbance

2011-06-30T07:55:00.001-07:00

POLYGLOSSIA
Onassis Cultural Centre
Athens, Greece

March 15 - June 30, 2011

“Levels of Disturbance” 2009-2011
Single channel video projection, color and sound, loop
Jenny Marketou

“We forget too soon the things we thought we could never forget” writes Jean Didion.

Although we are all bombarded by seemingly endless amounts of imagery and “news”, I am convinced that we are also all suffering from information deprivation, and in a multiplicity of ways. While media conglomerates and government powers shield information from us continually – and spin the information that we are being fed – I think we are also all guilty of collectively forgetting our histories. Information is ignored even when we have access to it. Certain things are just too difficult to face. Government handouts, unregulated corporations, corporate takeovers of the media and of the government, industry’s devastation of the environment… These are very old stories. Why should these things surprise us when they continue to happen?

“Levels of Disturbance” is a single channel video projection, which is usually shown projected from floor to ceiling on the end wall of a long corridor where the viewer experiences an extreme perpetual suspension and disturbance while he /she walks and watches the animate projected image. The television works of German novelist and filmmaker Alexander Kluge (1980) are a departure point of my work.

The material for video for “ Levels of Disturbance” has been shot over a week’s period from an aerial view distance while I was flying over the town of Los Alamos and it was conceived during the period of my artist in residence at the Center of Contemporary Art in Santa Fe, New Mexico in the fall of 2009.

Los Alamos which currently stands as a national monument and a tourist attraction is still contaminated by the nuclear waste and by turbulent human emotions going back to the late 40’s when Los Alamos is the most secret city in the world; the home of the renowned scientific community, known as the laboratory of the Manhattan Project where a weapon of incredible power, the atomic bomb has been produced and tested.

During montage the recorded aerial views of the breathtaking landscapes has been edited frame by frame into a slide show and has been used as a backdrop over which is imposed a red round shape which evocatively symbolizes the standardized measuring principles used for all natural phenomena. The two layers cycle assembled in a continuous flow of rotations and transformations through the use of computer animated graphics which take their rhythm from the ambient soundtrack composed by the sound of the propeller of a plane. The constant red color ripples of the circle seems as a powerful way to divert the viewer’s gaze on the surface of the image and intentionally abstracts and distorts any passage to the landscape, and information is intentionally fragmented, abstracted and distorted.

The reason I set up “Levels of Disturbance” this way is to test the rhetoric of cultural and historical amnesia in contemporary images. Amnesia forms a vast territory of disintegrating or disappeared information. In an effort to map this sea of mind my video “Levels of Disturbance” explores one of the major themes related to the loss of memory and history which is the deliberate suppression of memory by a society, the loss, confusion, destruction of information or alteration of a culture’s record of itself and investigates how technological mediation produces specific qualities in the images which erase memory, create disorientation, influence knowledge.

Jenny Marketou
New York City
March 21,2011

Fragile in Venice

2011-06-30T07:38:00.001-07:00

Public Performance: November 5, 2010
Tina b, International Art Festival with Fashion Univeristy IUAV
Fondazione Claudio Buziol
Venice, Italy

Video Documentation on Vimeo available

FRAGILE IN VENICE - press conference

2010-10-30T13:57:00.000-07:00

Fondazione Claudio Buziol  

hosts

  Friday, November 5th 2010  

press conference, 11.00 am 
performance FRAGILE, by Jenny Marketou, 2.00 pm
  Palazzo Mangilli-Valmarana
 Cannaregio 4392, Venice

  Please, confirm your presence sending an email to ffw@fondazioneclaudiobuziol.org by 12.00 pm of the day before.

The Fondazione Claudio Buziol hosts one of the events of TINA B. Festival of International Art of Prague, which will take place in Venice from the 5th to the 21st of November.   After the press conference we invite you to take part in the FRAGILE performance by Jenny Marketou.

FRAGILE is a public performance/action which combines art and fashion using the medium of the body, sign and paper in order to stimulate reflections about public spaces, social meetings and art itself.

FRAGILE is enacted by living bodies dressed in paper dresses specially designed for FRAGILE while they are walking doing things as a collective creative process and they create situations throughout a predetermined route around Venice. The artist has determined the route of FRAGILE and it is based on the trail that Ralph Rumney (the only English member of the psycho geographical association) undertook in Venice (1957).   Jenny Marketou, born in Athens, Greece, based in New York City. Her work exists in the intersection of social public art, new media, video, installation, public performances . Her work is ephemeral but structurally repeatable and has the ability to engage viewers participation and to create interaction between context and creativity. The performance will take place at the headquarters of Fondazione Claudio Buziol, Mangilli-Valmarana palace, and after it will move across Venice’s significant places returning at last to the starting point.

Download here he press release of TINA B. in Venice. 

Press Release - Elena Bari t
+39 02 47956722 t
+39 328 9781241 
press@newrelease.it

FRAGILE IN VENICE - Performance

2010-10-30T13:43:00.000-07:00

Public Performance/Action/ Participatory Art

Curated by Tina B
In collaboration with Fondazione Buziol and the fashion School at IUAV University in Treviso.
November 5, 2010
Venice, Italy

“FRAGILE ” is the title of a series of public performances/actions, which combines art and fashion by using the medium of the body, sign and paper with the conscious attempt to create situations where new ideas and possibilities can unfold and stimulate thought. It celebrates beauty and autonomy and at the same time charges with meaning the public space of the city of Venice and addresses the meaning of the word FRAGILE as the most relevant condition in our culture.
The primary material, medium is the body of 80 participants (boys and girls), who call themselves FRAGILE people, who are dressed in A shaped dress wear made out of colorful recycle paper designed and produced by the artist especially for this project. Each paper dress is conceived by the artist as an alternative cultural marker and for this reason is bearing the word FRAGILE as a cut out. Through the performance the human presence and fashion function as a symbol, a storyteller or/and entertainer; the body interacts with the space to create an experience or a situation, which triggers bodily and cognitive responses.
FRAGILE calls into our mind the disposable pop paper fashion of the 60’s in US and Europe as well as the “parangoles” of Helio Oiticica the Brazilian artist of the 60’s which were dresses designed to be worn by the public during public events in order to create a space of liberation and to provoke actions during animated walking or demonstration.

ROUTE

The trail of the performance/ action FRAGILE has been determined by the artist and it is based on the trail that Ralph Runmey (the only English situations) undertook in Venice with the goal of intensifying the experience of certain neighborhoods and sites in Venice, and the relationship of urban architecture and the human body.

ITINERARY

The performance is by foot and in a group of 80 participants and the whole journey is planned to last for three to four hours. Through a series of repetitive and non-hierarchical walks and gestures which the artists calls “protest” each participant becomes an agent who understands urban space and time as an autonomous field.
The starting point of the performance is Fondazion Buziol, which is established in the Venetian Palazzo Mangilli-Valmarana facing the Grand Canal where all participants meet, sign in and get dressed in FRAGILE.

FRAGILE from Foundation Buziol at Strada Nova moves through to Campo di Ghetto Nuovo; then to Campo St Leonardo; and via vaporeto to Canale Grande to Rialto; cross Ponte Rialto and walk through Merkato to Ponte Accademia; cross to Academia and then via vaporeto to Canale Grande and Canale di San Marco; go to Campo Arsenale; from Arsenale walk through Piazza San Marco and back to Foundation Buziol at Strada Nova by Canale Grande.

OBJECTIVES FOR A CITY LIKE VENICE

The challenge presented is in this technological era to create a body capable of becoming the precarious space for concepts, which materializes itself while weaving the concrete and at the same time FRAGILE thread of life.

It is very important that FRAGILE takes place in such a city as Venice a city with rich and dynamic cultural practices, intellectual circuits, architecture and social institutions and offers to all participants of FRAGILE a novel form for expression, experimentation and research. FRAGILE seeks to bring a diverse public together into a playful and transgressive way, which opens numerous possibilities to reveal another way of discovering the “fragile” city of Venice through a sense of physical liberation.

FRAGILE seeks to create a space where civic freedom, individuality and agency can re-write the canon in the urban landscape.

Wearing FRAGILE is creating wonder, joy and other playfully stimulating experiences as a tool that can be used to break down barriers, to explore processes for new interactions, communication and practices in the city.

The objectives of FRAGILE is through our ability to perform publicly to exercise our power to create and to collect signals and to send messages as we all work together towards the same performative action.

As we perform we feel this matters because we live in a FRAGILE society.

As we perform we express in our own style and choice our FRAGILE U and we use our body in motion.

As we perform we try to keep our FRAGILE dress charged with meaning but as intact as possible.

As we perform we are taking into account the physical challenge, which each paper dress presents because FRAGILE is designed to be ephemeral, fragile, humble and poetic in nature. The most destructive elements are liquid, fire and violence.

NOTES

FRAGILE will be documented on video and photos from beginning to end and it will be posted along with the photographs of each participants along with his/her comments at my website and Foundation Buziol.

FRAGILE can be seen as a documentary video at the Fondazion Buziol during Tina B Festival in
Venice.

Drifting Through Athens

2010-10-30T13:41:00.000-07:00

Coffee with Daphne Vitali at the National Museum of Contemporary Art in Athens, Greece.

FRAGILE @ ITS, Ritopek, Belgrade, Serbia

2010-10-30T13:26:00.000-07:00

September 11, 2010
Curated by Maja Ciric
in collaboration with David Goldenberg

Some of the FRAGILE people:

ENLACE-50 Jenny Marketou

2010-10-30T13:15:00.000-07:00

My project “We Love Candy but our Passion is Collecting Art {2008-2009) at Museo Nacional Centro de Arte Reina Sofia in Madrid

Opening and screening night Thursday,September 30, 2010. Lot’s of people came and we had a wonderful and exciting discussion.

Curated by Berta Sichel

visit Museo Nacional Centro de Arte Reina Sofia website here.

FRAGILE AND STILL MOVING AROUND

2010-10-30T13:07:00.000-07:00

A performance enacted by three beautiful living bodies dressed in paper FRAGILE transforming each act into a situation.

During the Last Supper Salon at the 3rd Ward in Brookyn
curated by Alison Levy

Sat 9.18, 2010

Handlung. On Producing Possibilities.

2010-06-21T12:04:00.000-07:00

Bucharest Biennale 4
May 21 - July 25, 2010
Bucharest, Romania

Curator: Felix Vogel
Directors: Razvan Ion and Eugen Radescu

Images and people I met and had fun with.

Nina and Jenny at the Institute of Political Research

Nina, Anne, and Jenny at the afterparty at Control Club

Jenny, Rasvan, and Felix

Birthday dinner for Simina and Razvan

Felix Vogel, Chantal Mouffe, Razvan Ion

From the lecture of Chantal Mouffe "Agonistic Politics in the Age of Post Fordism":

Razvan Ion and Chantal Mouffe

Nicolas Bourriaud

In front of the Pavilion Unicredit. Jose Antonio Fernandes Diaz, Razvan Ion, Felix Vogel, and Anne Barlow

FRAGILE @ Kunsthalle Athina - The BAR

2010-06-21T11:30:00.000-07:00

Kunsthalle Athina-The BAR, Athens, Greece
May 13 -17, 2010
Open Event/ Performance/Intervention/Protest

www.kunsthalleathena.org

A FRAGILE PROJECT

FRAGILE is a hybrid between a performance and a public intervention, which combines art and fashion within the social structure of a social gathering with the conscious attempt to politicize public space without taking an overt political position. I like to call it sociable art which creates contexts for interaction and communication in public space .To achieve this the audience is dressed in A shaped dresses made out of paper which are bearing the word FRAGILE as a cut out. The paper-thin wearable have been designed and produced by the artist especially for this event.

The idea for the title and the use of the word FRAGILE stands for the mankind’s current “fragile” state in the art, the social space and its function, the environment and the commerce from which we are immunized or/and are protected from the constant visible fear instilled by the culture of chaos and in its most radical forms of communication such as the tabloid media and the spokesmen of violent radical consensus.
By using the word FRAGILE again and again the repetition disintegrates language and at the end the word becomes an empty space. A space made out of language. FRAGILE is not a message any more but a force which invigorates the “body”.

photo by Jenny Marketou

photo by Dimitris Papadopoulos

Thin as Paper

With their seductive and colorful beauty one hundred (100) A shape (34” L X 28” W) garments made out of recycle paper in red, yellow, blue, magenta, which each of them bears in front and back as a cut out the word FRAGILE are distributed for free to 100 guests to be worn over their street clothes during the entire opening night of the exhibition.

Yet their beauty is precarious leading deep and reflecting on the conditions of life. All guests by wearing FRAGILE they are aware that they are placing him or her self consciously in the role of the performer and they accept to be part of a peaceful demonstration of protest against the fragile state of our culture in the presence of such overwhelming financial crisis and chaos which has affected the cultural, the social, the environmental and the political space in the entire world. It is up to each participant as to what and how she/he wants to unveil or to express her/his FRAGILE U that evening.

Each paper dress stands as a symbol of our determination to restoring balance, democracy, peace and priorities to constructive action, responsibility and justice and caring.

At the end of the evening participants keep FRAGILE to take home no matter in what condition it is unless she/he prefers to write their name and drop it in the X container for recycling after the end of this event.

photo by Danai Parouniadi

photo by Jenny Marketou

photo by Robert Pettena

Lighter than Fiction - Afternotes

2010-06-21T11:15:00.002-07:00

Installation at The Project Room for New Media at CAM (Chelsea Art Museum)
March 5 through April 3, 2010 New York City

http://www.chelseaartmuseum.org

Afternotes:

Repeatedly the intention of my installations is to create a project, which uses and inspires a space. The project room at CAM painted black and shaped like a long corridor where visitors have to go down the steps to physical enter the room gave me a great opportunity to experiment with the above notion of creating an experiential space.

The video “Levels of Disturbance” 2009 which is structured around aerial recordings (real and fictional), which I filmed flying over Los Alamos, New Mexico during the period of my artist’s residency at CCA in Santa Fe it is projected big and high on the wall across the room. The intention is so that my visitors are sucked into the projected image immediately as they go down the steps and second the projected image becomes a window you are looking through to another space beyond.

Simultaneously on the right wall is a small video projection from a stand hoping to echo the same effect of the window and which features “Stolen Bubbles” 2010 a short experimental animation fractured and reconstructed by replacing visual and sonic material from Karel Zeman’s classic animation The Stolen Airship 1966.

Both videos are recombinants of a variety of elements and stand as visual metaphors that can be seen as a whole or separate and which describe the current condition of art making and reflects in the conditions of life of creating one’s own flight freed of social, political, economic, physical restrains and confined perspectives.

"Stolen Bubbles" Video Installation View at The Project Room for New Media at CAM, 2010

"Levels of Disturbance" Video Installation View at The Project Room for New Media at CAM, 2010

Meet-the-Artist Jenny Marketou

2010-03-20T08:05:00.000-07:00

My talk on Thursday, March 18th at Chelsea Art Museum was an exciting evening with a great turn out of good people.

I would like to thank again the following for making “Lighter than Fiction” possible with funds from the New York State Council on the Arts, a state agency, the New York Department of Cultural Affairs, in partnership with the City Council, and Experimental Television Center.

Meet-the-Artist Jenny Marketou

2010-03-08T12:27:00.000-08:00

Meet-the-Artist Jenny Marketou

6 PM to 8 PM, March 18, 2010
Chelsea Art Museum

In conjunction with the Exhibition "Lighter Than Fiction" it will be an artist talk moderated by Christiane Paul, Adjunct Curator of New Media Arts, Whitney Museum of American Art, Director of Media Studies Graduate Programs, The New School, NY Docent

Free to the public

Lighter Than Fiction - opening night

2010-03-08T12:03:00.000-08:00

Opening Pic
(Photo by my friend Jack Toolin)

Lighter Than Fiction @ Chelsea Art Museum

2010-03-02T15:26:00.001-08:00

Press Release:

“Lighter Than Fiction” by Jenny Marketou March 5 - April 3, 2010
The Project Room for New Media at CAM
Opening Reception: March 4, 6-8 pm

Press Preview: March 4, 5-6 pm

Meet-the-Artist: March 18, 2010, 6:30 PM – Moderator, Christine Paul, Adjunct Curator of New Media Arts, Whitney Museum of American Art, Director of Media Studies Graduate Programs, The New School, NY Docent

Tours free with museum admission every Saturday, 4 PM

What do you see when soaring over Los Alamos, New Mexico... utopia or dystopia? A landscape of natural beauty or a place where nature was unleashed in the creation of the nuclear bomb? Jenny Marketou’s video installation poses the question, juxtaposing dreamlike perspectives with disturbing realities. These contrasting states are experienced in three single channel video projections that comprise the installation.

In “Stolen Bubbles” 2010 Marketou has mixed visual and sonic material from Karel Zeman’s “The Stolen Airship” 1966 with her original animation that draws from the airborne balloon project called “Bubbles” 2009 - both filmed over Prague, Czech Republic.

“Bubbles” is based on a public sculpture project where the artist created a remarkable set of 14-meter banners with her original graphic composition using the word “Fragile” which were draped onto an air balloon. Marketou filmed as she and her guests riding the balloon experienced breathtaking views of Prague and the dream-like sensation of floating with the wind currents, hovering above the busy pace and anxieties of city life.

“Levels of Disturbance” (2009) is structured around the aerial audio and visual recordings that Marketou captured while flying in a small jet over the natural landscape around Los Alamos, New Mexico, where the atomic bomb was created in the 1940s, that is still contaminated by nuclear waste and turbulent human emotions. During editing Marketou destroyed the order of the video sequence and the coherence of the narrative, placing at the center of each frame a round sphere animated in a perpetual motion that controls and obstructs access to the full image of the landscape. The viewer is drawn into this unsettling spinning sensation, generating metaphors for the human condition.

“Lighter Than Fiction” investigates the precarious balance between reality and fiction capturing the view from above where the lightness of utopian sensations and imagery are contrasted by dystopian realities.

Red Eyed Sky Walkers - Installation

2010-03-02T15:11:00.001-08:00

NATIONAL MUSEUM OF CONTEMPORARY ART
Athen, Greece

Vas. Georgiou Β’ 17-19 and Rigillis street
January 28–March 8

Press Review:

Goculture

Artforum

Fixit (EMST)

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PROJECT ROOM, National Museum of Contemporary Art, Athens

The second component of Red Eyed Sky Walkers is a big video projection of nine simultaneous single channels of video streaming on the big wall in the project room at the National Museum of Contemporary Art in Athens, Greece. By designing a special software for this project three of the channels features real time streaming from the nine surveillance cameras attached under the balloons at the outdoor peristileion, and which are used for aerial monitoring of the space around the museum .The other six channels are juxtaposed with images from you tube surveillance videos which feature public demonstrations and aggressive events between human crowds and police in urban spaces around the world. All those live surveillance images are highly ambivalent but they seem to generate their imaginary past their own suspense and hidden narratives. On the other hand they are images without “cameramen” which might trigger a dystopia fear of life, which has been disposed of people behind the “camera”.

The site specific version of the projection Red Eyed Sky Walker conceived for EMST has provided me with the opportunity to make a commentary about the relation between real time images side by side and their forces and their possibilities. What these images can do and can be done with them? If there is a metaphor that anchors these images, it is that of circulation and transport itself? A concept that acts like a gravitation center and that applies to the city’s infrastructure as well as to the traffic of surveillance images circulating.

Red Eyed Sky Walkers - opening night

2010-03-02T14:44:00.000-08:00

NATIONAL MUSEUM OF CONTEMPORARY ART
Athens, Greece

Invitation to Athens

2010-01-21T14:16:00.001-08:00